Part 3

You should spend about 20 minutes on Questions 28-40, which are based on Reading Passage 3 below.

The story of the Fosbury Flop

A

On October 20,1968,a 21-year-old university student from the USA called Dick Fosbury completely transformed the sport of high jumping with a gold-medal and Olympic-record jump of 2.24 meters at the Mexico City games. Fosbury accomplished this fabulous feat by sailing over the crossbar head first and backward! As colorfully described that day by the Los Angeles Times,”Fosbury goes over the bar like a guy being pushed out of a 30-story window.”

B

At first, when asked about how this unorthodox manoeuvre originated, Fosbury would joke with sportswriters, informing some that, because of his university background in physics and engineering, he had initially designed the Flop on paper, and telling others that he had accidentally discovered this technique when he once tripped and fell backward on his take-off. However, in later interviews, Fosbury revealed that the technique actually unfolded over many years and involved countless trials and errors. ” It was simply a natural technique that evolved,” he said.” I never thought about how to change it, and I’m sure my coach was going crazy because it kept evolving. l didn’t know anyone else in the world would be able to use it.”

C

Fosbury explained that when he first learned to high jump at the age of 10 or 11, he tried jumping with the “scissors” style.He said, ” l used that style until l went into high school, where my coach explained that l was never going to get anywhere with that technique. He started me with the ‘belly roll’ technique.

However, l was really lousy with that style. l expressed my frustration to coach and he said that if l really wanted,l could still use the ‘scissors.

So, in his next competition,Fosbury went back to the “scissors” style.He explained: “As the bar was raised each time, l began to lift my hips up and my shoulders went back in reaction to that.At the end of the competition, I had improved my best by 15 cm to 1 m 78 and even placed third! The next two years in high school with my curved approach, l began to lead with my shoulder and eventually was going over head first like today’s Floppers.”

D

In this way, the Flop evolved, not from design, but from a trial-and-error process which combined repeated effort with the biomechanics of Fosbury’s gangling1 m 93 physique.Sports Illustrated writer Richard Hoffer wrote: “It was on-site engineering, his body and mind working together, making reflexive adjustments with only one goal, getting over the bar.” Hoffer explained that although Fosbury’s arms and legs seemed to be all over the place, those movements that served to get him a centimeter higher were retained, while the others were gradually eliminated as the technique evolved.

E

What did Fosbury think of the seeming awkwardness of his Flop?” l believe that the Flop was a natural style,” he said,”And l was just the first to find it. I can say that because the Canadian jumper Debbie Brill was a few years younger than l was and also developed the same technique, only a few years after me and without ever having seen me.”

A striking coincidence? Yes, indeed.But, perhaps not as striking as the fact that a high school student called Bruce Quande was photographed on May 24,1963 flopping backward over the crossbar.This was the same month that Fosbury recalls having flopped for the first time in the competition when he was at high school!

F

But completing the Flop successfully was only half the battle; the return to earth still had to be negotiated.Few would even consider such an experiment knowing they’d have to land on their necks. When Fosbury was jumping in high school, he had to land in pits which were filled with wood chips, sawdust, or sand. On one occasion, Fosbury hit his head on the wooden border of the pit. Another time he landed totally out of the pit, flat on his back, knocking the wind out of him.The next year, Fosbury’s high school became the first in the region to install foam rubber in its high jump pit, thereby cushioning the jumper’s fall and encouraging the use of the potentially dangerous Flop.The Fosbury Flop and cushioned landing areas thus appear to have co-evolved.

G

Fosbury explains how he came to name the Flop.”I’m very proud that l received the naming rights.But the term by which the style is known did not appear overnight.To tell the truth, the first time that I was interviewed and asked ‘What do you call this?’ l used my engineering analytical side and l referred to it as a ‘back layout.’It was not interesting, and the journalist didn’t even write it down.l noted this.The next time that l was interviewed, that’s when l said: “Well, at home in my town they call it the Fosbury Flop’ – and everyone wrote it down.l was the first one to call it that, but it came from a caption on a newspaper photo that said: ‘Fosbury flops over bar.’ The context was that our town was on a river,very popular for fishing, an hour from the Pacific Ocean.And when you land a fish on the bank, it’s flopping.That’s the action, and so it’s a good description by a journalist, and l remembered it.”

Questions 28 – 32

The text has seven sections.

Choose the correct heading for each section and move it into the gap.

Questions 33 – 36

Choose the correct letter, A, B, C or D.

33When interviewed about his development of the Fosbury Flop, Dick Fosbury

• always insisted that he had carefully designed it on scientific principles.
• said he wanted to develop a technique that only he could use.
• claimed it was inspired by an injury he suffered while making a jump.
• stated that it had been done gradually without any overall plan.

34Fosbury achieved a sudden improvement in the height he could jump when he

• started to adapt the ‘scissors’ technique.
• became much more determined to win competitions.
• decided to abandon the ‘scissors’ technique.
• found a new way of using the ‘belly roll’style.

35When describing the way that Fosbury’s jump evolved，Richard Hoffer stressed that

• Fosbury’s height slowed down his progress.
• the process was more controlled than it appeared.
• Fosbury was not really aware of his own technique.
• the process included specialist input from engineers.

36Fosbury defended his idea that his style of jumping was ‘natural’ by pointing out that

• it was achievable by younger jumpers.
• it was copied successfully by other athletes.
• it was achievable without any special training.
• it was independently discovered by other athletes.

Questions 37 – 40

Complete the summary below.

Choose NO MORE THAN TWO WORDS from the passage for each answer. Write your answers in each gap.