听力第309套 (ws 108)L1

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L1:

Lecture 1

第一题

What is the lecture mainly about?

ATechniques for applying both oil paints and enamel paints

BWhy synthetic paints became less popular after the twentieth century

CHow synthetic paints were developed during the twentieth century

DThe use of synthetic paints by twentieth-century artists

第二题

What is the professor’s opinion about synthetic paint and twentieth-century art?

ASynthetic paint was not used in high-quality paintings.

BThe impact of synthetic paint has been overlooked.

CArtists should have used more synthetic paint than oil paint.

DSynthetic paints were less suitable for large paintings than other paints were.

第三题

According to the discussion,what were three reasons that artists used synthetic paints during the 1940s?

Select 3 answers

ASynthetic paints were promoted by paint manufacturers for artists to use.

BSynthetic paints were less expensive than oil paints.

CSynthetic paints flowed easily and dried quickly.

DArt buyers became interested in works made with synthetic paints.

EOil paints became less widely available.

第四题

According to the professor,what were two things that using synthetic paint enabled Siqueiros to do when making murals?

Select 2 answers

AProduce murals that were less easily damaged by weather

BUse colors that were brighter than those allowed by traditional paints

CApply the paint by spraying instead of brushing

DPaint on a wider variety of surfaces

第五题

According to the discussion,what can be inferred about how Pollock applied synthetic paints in his work?

AHe needed to use several different kinds of brush strokes.

BHe carefully planned where to place paints on a canvas.

CHe mixed synthetic paints with traditional oil paints.

DHe incorporated techniques that he learned from Siqueiros.

第六题

Why does the professor mention airplanes and radios?

ATo give examples of objects portrayed in a mural

BTo describe ways that some artists became well-known

CTo point out widespread uses of synthetic materials

DTo describe an aspect of Pollock’s point of view about art

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